Oh my God! Finally, it here! We’ve got it. Soot Sanae Ha or as you translate it into English—Recipe of Love is finally here, in our home in CD. Haha, and dubbed in Khmer, too. Gosh, even the title of the drama itself sounds delicious. And, boys and girls, I really do mean delicious and not only in the food that they cooked in the story. The characters, too, are deep and very real as well as our very boiling hot actor, Ken Theradeth, and pretty actress, Ann Tongprasom. What more could anyone ask for?
Okay, I have to calm down because if I don’t then I don’t think I can get this review done right.
Soot Sanae Ha—Recipe of Love, is the latest drama that Ken T and Ann T are starring together. The drama is taken from a novel in Thailand which is also called Soot Sanae Ha.
What makes me love this drama so much is that it is completely different from any other Thai drama I have ever watched. This one is so sassy, rich with humour, and very modern as compare to other Thai drama that are almost cliché. What I mean by cliché is that most Thai drama are following the same old trend as in boy meets girls, boys falls for girl, sometime boy and girl can’t get along because of their different in statuses (very important in Thai culture) or that they simply and stupidly hates each other’s gut (no reason what so ever why) and hence they fight like there’s no tomorrow. Of course we won’t forget the mean girl as well who like to slap and slap and slap our heroine until she couldn’t help but cry pathetically and begs for the bitchy girl to stop. Then, of course, our hero happens upon them on time and safe our heroine. Hahaha… To me that’s old and cliché. There’s no depth. Soot Sanae Ha, however, is different. It’s like Chi-Lit. Very cool.
So okay, allow me to introduce you to Alin (starring Ann T). A recently turned 25 year old (in Thai culture—if you’re 25, you’re history girl), eccentric, posh, sassy, and super rich woman who as the story started, is at the top of her career as an actress. Only her eccentric behaviour, of which she inherited from one of her peculiar three aunts, lead to her downfall. Out of a job for 2 years, Alin begin to get scared that her star quality is beginning to fad from the media world. Finally a chance arrived when the phone rings and she is offered an audition for a cooking show. Excited, but still pretending that she is very busy with doing absolutely nothing and getting bored out of her tree, she makes an appointment to meet the boss of the TV show.
Introducing a perfect man—William Macintosh. Still hot as ever at 40 years of age, William is Chai Anucha in this drama. He is the boss of the studio, and Alin, once she has laid her eyes upon this handsome, perfect creature (or so she thought), is sure that he is a knight in shinning armour. He is her destiny. He is going to be her future husband—that she is sure of. That’s if she could get him to go out with her. Hence, the plan has changed instantly for Alin. Now it’s not so much about her career. It’s about getting the most eligible bachelor in Thailand to become her husband. Let’s the hunt begin.
Only nothing goes according to Alin’s plan. She finds out at the meeting that—after, of course, not paying any attention to what anyone is talking about because she is too busy watching Chai Anucha and day dreaming about their happy future together—she has to actually cook at the audition. BIG Trouble. How could you expect a High Society girl, a girl who’s fortune is worth in the millions, to know how to cook?
Panic! Panic!
But some how Alin must get that job because in doing so she’d be able to stay close to Chai Anucha and, hmmm, you know the rest. But how could she learn how to cook in a day?
Bingo!
Problem solved. Of course, Alin is a brain box in this type of thing. She needs a cooking teacher. And fast!
Here comes Din (Starring Ken T). This very handsome, gentle, and loyal cooking teacher comes with a price. A BIG one. He actually charged her in the thousand for a day of teaching. Of course that is nothing since she’d started everything by being very difficult and very Alin at the restaurant which caused him to lose his job. It is actually his very first day, too.
You can actually see spark fly when they argued in the kitchen. Super hot. I grantee that you’ll like it. And the next bit when Alin finds that her cooking teacher is actually the cute guy at the restaurant that she had helped the manager fired because he wouldn’t oblige with her demanding order of Chef’s Salad of which she has changed the recipe to her liking—she is scared the crap out of herself.
After some difficult negotiation, Alin is desperate enough to pay Din in the thousand to teach her how to make soufflé. And hence, her lesson begins. I have to say that I really enjoy this part. It’s so funny because they are arguing, him shouting at her, and she resisting and shouting back at him even though she really wants to learn. A five start from me for this scene.
Anyhow, after the cooking lesson, Din thinks that his relationship with Alin is over. Wrong! Their relationship, in fact, has only just begun.
The story is great. Like me, if you like a sassy heroine who knows what she wants and goes for it but at the same time she still has that cute innocent sense about her, then you’ll like this story. Alin is, on one side, eccentric and bitchy. When she has cat fights with the mean girls, it’s very entertaining and you couldn’t help but love the way Alin handle difficult situations. She’s not like most heroines in other Thai drama. This girl knows how to give it back. An eye for an eye. There’s no way she’d let other people stand on her. This is the modern girl. This is the modern heroine. She stands up for her rights as a human being. Not like those crying, weak heroine who allow the bitchy girl to slap her. It makes me angry watching story like that. Stands up for yourself, girl, I always say.
The other side of Alin is that she is also kind and sweet which makes her a nice round character. She also seems to know everything there is to know about the world, but yet at the same time, she seems to know nothing. This is where Din comes in. He helps her see the world in a slightly different angle.
And as for Din? If you like hot guys who are sweet and kind and who loves human rights, then this one is for you. He knows that his girlfriend (they’re just friends and not in any kind of relationship than just friend) is lying to him about her ex, but he still trust and help her in what ever ways he can as a friend. I also love the fact that once their relationship got started—the relationship between Alin and Din that is—they stick together through thick and thin, helping each out in the nick of time. Then of course, Din finds that he is falling in love with Alin, and being a shy guy that he is and knowing that Alin is in love with another guy, he keeps a distance. Though it is very difficult for him because Alin trust him so much and opens up to him. Hence, she does things like hugging him and touching him so intimately that only causes more forbidden feeling for Din. Ahh, forbidden love. So good.
And of course, Alin finds that she is falling in love with Din, too. But it is too late because she is engaged to Chai Anucha and she thinks that Din is also in love with his girlfriend. Hence, introducing a love square thing mabob. Yeap, very confusing. But if you watch the drama, it makes complete sense. Alin loves Din but she thinks Din loves his girlfriend who is in actual fact an ex-girlfriend of Chai Anucha. Gee, so confusing. Even I can’t write it right (LOL).
Any who, that’s all from me for now. Are you ready to watch Soot Sanae Ha yet? Then you should definitely watch it at youtube.
Thanks for reading. Will be back another time with another review.
Chantha S. Praks
I really do not like to say this because it makes me sound like I’m a really nasty person, which the fact is that I’m absolutely not. I am a very passive person. I just had no idea what came over me that day. I remembered being very, very upset—angry, in fact, at life in general. You know, we all have that sometimes. Anyways, I was on my way home after dropping my sister off at work on a Saturday, when turning my car right after giving way to numerous passing cars, another car behind me—not to mention an old, scrubby looking one at that—just overtook me around a curve without indicating.
Dangerous!
I simply stared, my heart pounding like mad, and my temper simmering, ready to be exploded at the next moment.
‘Calm down,’ I told myself. ‘You know you’re a pig, but you could transform into a boar in a heartbeat when it’s too much.’ Let me tell you, when I turn into a boar, I can really be a raging boar. Even my sisters are scared of me. I can really explode, although it is short lived. Anyways, one of the three occupants of the car, the one sitting at the back, turned and made face and shouted at me. Perhaps saying what a lousy driver I was. And here, as I managed to clam myself down–I smiled at the stupid young man pulling faces at me and gave him a finger that I rarely honour to anyone. My God, how I felt good at that point. I felt very, very SATISFIED indeed. That young man indeed, my dear reader, simply gasped his mouth opened in the form of an ‘O’ in astonishment and his eyes were wide opened. Well, I thought, served him right. And the next second, that car turned right and mind turned left. And I felt satisfied all day. It made my day indeed.
How marvellous would be to see Angkor Thom, or Yasodharapura as it was called in the 12 century, in its heyday? To see those two hundred stone-faces on those fifty-four towers of the Bayon covers in gold, and as the sun starts to rise, they sparkle like nothing you have ever seen before that it takes your breath away. To see Sras Srang covers with lotus and lilies and the water glistening clear and pure, and thousands of Khmers dressed in their rich clothing of colourful silk and gold coming and going to bathe.
Wouldn’t it be marvellous to walk through the Terrace of Elephant and watch those large, beautiful beasts being trained by the Royal Regiment of Elephant to go to war. What about the king procession? What a delightful sight it would be to see carriages, horse-chariots, and palanquins made of precious metals sparkle brilliantly in the sun. To see princes, ministers, and courtiers dressed in their finest clothing and being carried on gold palanquins as they passed through the streets. To see dancing girls, concubines, and wives of the king dressed in their finest silks and gold jewelleries adorning their soft, white body. And then the god-king himself, dressed all in gold with a golden diadem on his head and holding the Sacred Sword—Preah Khan or Jayasri as it was named back in the 12 century—as he rides on an elephant.
Angkorean era was the golden era indeed in Cambodia which dated from about 802 when Jayavarman II was named as king of kings and found the kingdom of Angkor to 1431 when the Khmer abandoned Angkor after the Siam invasion. This remarkable empire was found by King Jayavarman II who believed that the entire nation could only be completely united if his subjects believe him to be the god-king, one that they would blindly obey and worship. And to these some one million Khmers who lived in Angkor at that time, he was the reincarnation of the Hindu god Siva or Vishnu, and then later there was Jayavarman VII who to them was the reincarnation of Buddha himself.
At first Jayavarman II seemed to be having trouble finding the right spot for his capital, and after some relocations, he found his site and thus started the enormous programme of building his temples, dedicated to the Hindu gods Vishnu and Siva. The building of Angkor Wat itself was built during King Suryavarman II reign in the year 1140, also dedicated to Siva. And then came King Jayavarman VII who ordered the major building programme of the city Angkor Thom with the famous Bayon that towered right in the middle of it, which many decided today was in fact his face that look so serene and in some way like that of the Lord Buddha himself in meditation.
Jayavarman VII came to the throne in 1181 after what one call a tragedy of the kingdom. At the time there was a big revolt within the slaves and pheasants who blamed their suffering on the previous king, Suryavarman, for the massive building programme of Angkor and for the fact that the new king, Yasovarman, Jayavarman VII’s brother, who couldn’t alleviate their suffering from the cruel officials and corruption of the system. The Kingdom was divided and civil war began.
Then came a man, one who might say was a hero amongst the pheasants, and one with a lengthy name indeed—Tribhuvanandityavarman it was—petitioned for the throne. It was not, however, the support of these nuisance pheasants and slaves who moan and groan quietly and could never do anything but obeying their masters commands meekly that gave the power to Tribhuvanandityavarman to become king. This man with the unusual name was smart, and he appealed to those young, ambitious officers and such like who disliked the hierarchies and favouritism (another word corruption) which prevented them from a higher position in the ladder of the court. And so there was the civil war, King Yasovarman was killed, and Tribhuvanadityavarman became king.
At this time Jayavarman heard of the news that this pheasant claimed the throne, he rushed back to Angkor to help his brother but only to find that the revolt was over. Jayavarman, a true Buddha man that he was, refused to make another war simply to claim the throne from this sub-human of a man whom many thought was a hero and returned to Champa.
The King of Champ, Jaya Indravarman knew that Angkor was at its weakest with a pheasant as king and the kingdom divided. In 1177 he planned an attack, and he was indeed sure that he would win for the Champs had a certain weapon that the Khmers did not, the firing of a crossbow on horseback, taught by a Chinese. On that day they stormed into Angkor and slaughtered the Khmers.
Tribhuvanandityavarman was made. How dare they? Stormed into their Kingdom and slaughter his people, no matter that they were just mere slaves and soldiers? Tribhuvanandityavarman was a hero and a leader indeed, for he encouraged his men with inspiring speeches, and hence they stormed back. Thanks to those wonderful, mobile war beasts—the Royal Regiment of Elephant—they won, and the Champs ran back to Champa, defeated and shamefaced.
The Champs were a stubborn lot, however, for they must at all cost defeat and destroy the beautiful city of Angkor. In 1177 they invaded again, this time via the Mekong River to Angkor. Their plan worked for the Khmers did not expect the Champs to invade again after such a defeat. In that night, the Champs once again slaughtered the Khmers, and to them what better way to do it than when these Khmers were still in their sleep.
King Tribhuvanadityavarman died at the battle and Angkor was sacked. The Champs, those jealous lot, humiliated the proud Khmer by undergoing a massive mascara for days—murmuring young and old, burning the temples, stealing the precious treasures that belonged to the state, and raping the women, especially those proud, white-skinned beauties in the court.
And then Jayavarman returned to Cambodia. What he saw must have struck something deep in his heart, for his home land of Angkor that had once stood so proud and majestic had now been destroyed. There was nothing left except for the strong stones of some temples and his people who greeted him wearily and unenthusiastically.
The Brahman priests then crowned him King Jayavarman VII. Hatred and revenge for those Champs must have been strong in his blood, and even though he was by then 50 years of age, those emotions of his must have drove him forward into cunning, ruthless actions and inspired his people to follow him. And hence against his believe in the Mahayana Buddhism, the believe in the teaching of the Enlightened One, he declared war with the Champs.
Jayavarman VII and his men planned their strategy carefully, invading Champa via both land and sea. And yes they stormed back into Champa. Those strong Royal Regiment of Elephants brought fear to the Champs who took one look at those beasts and ran in the opposite direction. They were mowed down, those Champs. If one thought the Champs was cruel to the Khmers previously, well the Khmers were as merciless to the Champs. They won the war and for the Khmers to remember their moment of victory, Jayavarman ordered an inscription as a bas-relief on the wall of Bayon and Banteai Chmar. And within only of a few years Angkor Thom was born. It became even more majestic as the years went by and more buildings were constructed, never mind that thousands of slaves were killed in the process due to cruel treatment, starvation, and of course there were the accidents of large stones falling down up on them.
Those poor souls, their body thrown into the wilderness of the jungles and forests for wild beats like tigers, panthers and such likes to devour. Well of course at that time to the Khmers these salves were easy and cheap to obtain, for they could be capture from the mountains near by.
Jayavarman VII was considered to be a kind and generous king despite his treatment toward the slaves. Amongst the massive buildings programmes he also ordered the buildings of over a hundred hospitals and inns for his people and of course other now still standing temples that can be visited today.
Yes, Angkor Thom was one such beautiful city indeed as noted by Chou Ta-Kuan description of the city when he visited there in 1296 during the regime of Indravarman.
A golden tower marks the centre of the kingdom. It is flanked by more than twenty stone towers and many hundreds of stone houses. A bridge of gold stretches from the East gate; two golden lions have been erected left and right of the bridge, and eight golden Buddhas stand below the stone galleries. About a furlong to the north, there is a bronze tower which is higher than the golden one, and room the top the view is most impressive. At the foot of the tower there are more stone galleries. Another furlong to the north, one comes across the royal residence. In the private apartments there is another golden tower. I think it is these edifices which have given the country the title ‘Rich and noble Cambodia’ by foreign visitors.
Reference:
1. Charles Higham. The Civilization of Angkor. California: Weidenfeld and Nicolson, The Orion Publishing Group Ltd; 2001.
2. David Chandler, A History of Cambodia, 3rd ed. Colorado: Westview Press; 2000.
3. Dawn Rooney. Angkor: An Introduction to the Temples. Hong Kong: Twin Age Limited; 1994.
4. John Audrice. Angkor and the Khmer Empire. Great Britain: Redwood Press Limited; 1972.
5. John Tully. A Short History of Cambodia: From Empire to Survival. Singapore: South Wind Production; 2005.

I love stories that have lots of conflict, and this story, Sawan Biang, a new Thai Larkorn (soap opera) has heaps of that. Conflict is what draws the story forward and bring out the characters. Without it, the story would stay still, drawing no interest for the audience, and therefore, they are not likely to continue watching the story.

Sawan Biang, staring Ann Thongprason as Narin and Ken Teeradeth as Kawee (both are famous and influential Thai actress and actor respectively) starts with a crash. By crash I mean it metaphorically and literally. Metaphorically because that is how the story starts, with Ken, a stubborn, arrogant, autocratic and cynical rich playboy condemns Narin’s older sister, Leela’s love towards him. He said that she is trying to catch him without looking at their difference in status (social status is very, very important in Thai culture). Narin witnesses this and hates him for his treatment towards her sister because she knows that her sister is a very gentle, sensitive person. And here, Leela runs out from the party and a car hit her (the literal bit), and Narin witnesses this, too. How sad.

This is a very intense beginning to the story. Already we can see conflicts from three very different characters. Ken is an arrogant, cynical rich playboy; Narin a vulnerable but mentally strong, intelligent young woman; and Leela a sensitive, gentle woman who highly depends on her sister for support. As the story move forward, there will be no doubt that these characters will change, and their actions will define their new personalities, indicating that they have grown in some ways (very important in very story).
The story promise for more conflicts as it moves forward. Later we see the relationship between Kawee and his father and Kawee and his stepmother. This is very intense indeed with Kawee hating his father and his father disliking Kawee’s uptight behaviour towards other people, especially those below him in social status. Even more tense when Leela marries Kawee’s dad and brings her family to live in the mansion. Yeap, conflict, conflict, and more conflict. Do I need to mention anymore conflict?
But we, as audience, my dear reader, must think why Kawee, our hot hero, acts this way. In my opinion this is because Kawee lacks love he should be receiving from his dad. Kawee only acts in such a way (you will see when you watch the drama or if you’ve already watched the drama, you know what I mean) because he wants attention. Further more, he protects himself from emotion by refusing to feel when tragic hits because, according to me, he does not want to get hurt, and hurt hurts you know.
For those of you who had never watched Thai drama before, here’s a few things you need to know. The story mainly revolves around two main characters, the hero and the heroine, in this case Kawee and Narin (a little bit like romance book such as mills and boons but more in depth and more complicated), and they are brought together by mere fate (what ever that may be). Usually they will dislike each other at the beginning for one reason or another, and this varies from stories to stories, and the must have in most drama is that their social statuses are different. Usually the heroine is poor or middle class and the hero is mega rich, running his own company or farm etc (yeap, just like mills and boons). The stories usually have supporting characters and also what the Thai calls “Nasty Girl” character/s. You know the type that chase after our drop dead gorgeous hero and make our pretty heroine suffer. Then there’s usually a lot of complicated misunderstanding between them all, the hero saving the heroine from the Nasty Girl’s tricks (and, boy, do I mean tricks), hero starts to have feelings for the heroine, plots thicken, bad guys plans to kill hero/heroine, plots thicken a bit more, hero and heroine falls in love but keeps their feelings hidden, plot thicken some more, bad guys caught heroine, hero panics and sacrifices himself to save her, bad guys die, and hero and heroine live happily ever after. Peh!
Now, just one or two things before you start watching, if you haven already, things you needed to know so that you don’t go—what the hell does that mean?
Yeap, I’ve got a Thai friend, though I would rather think she’s a mutated Thai, you know, I call her the CONTAMINATED THAI, who is more Chinese than Thai. But any who, any how—she lives in Thailand all her young life, and who am I to argue with about that when I’m Cambodian New Zealander?
This is what’s I’ve learnt so far from my lovely friend and sister (the one that loves watching Thai drama so much that she couldn’t go a minute without mentioning anything related to Thai drama, especially Jum Ler Ruk—Prisoner of Love drama). Anyway, in Sawan Biang, when there’s a ‘P’ in front of a name, for example, when Narin (our pretty heroine) comes into the hospital to find her sister, Leela, missing, she said, “P-Lee.” P, pronounce just the letter P, indicate respect for older sibling. Hence, P-Lee means older sister Lee and the same goes for an older brother. Khun indicate respect for other people that is not related to you. Another word, the same as Mister or Miss like when Kid (Kawee’s dad) calls Lee as khun Lee (Miss Lee). Does that make sense? If it doesn’t then just post a note for me and I’ll ask my Contaminated Thai friend to explain it in more detail, if she can.
Now, if I haven’t convince you to watch this rubbish, non-educational Thai drama then I’m a bad writer, and further more, a bad politician, not that I’m telling you that I am a politician. It’s just that I enjoy watching Thai drama, and I’ve seen the very first version of Sawan Biang about ten years ago and glade that there’s a new one now. About time if you ask me. However, I find that so far the characters have changed a bit in personality and I like that very much because Narin (Ann) in this version she is not weak and she stands up to Kawee—you go girl. As for Kawee (Ken) he is damn mean, but a damn hot one at that (God pulse is racing already by the mere thought of him). The baseline of the story, however, is still the same. I hope you will enjoy it, too. Warning—Might be a bit long for the IMPATIENT!
P.S. Thanks to Wishboniko for posting Sawan Biang with English subtitle in You-tube.
Here’s Sawan Biang
